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	<title>Steve Cheseborough &#187; book</title>
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	<description>1920s-30s-style Blues</description>
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		<title>Review of Fetch It! from Il Blues, the Italian blues magazine</title>
		<link>http://stevecheseborough.com/2009/06/17/review-of-fetch-it-from-il-blues-the-italian-blues-magazine/</link>
		<comments>http://stevecheseborough.com/2009/06/17/review-of-fetch-it-from-il-blues-the-italian-blues-magazine/#comments</comments>
		<pubDate>Wed, 17 Jun 2009 08:06:44 +0000</pubDate>
		<dc:creator>chezztone</dc:creator>
				<category><![CDATA[blues]]></category>
		<category><![CDATA[book]]></category>
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		<description><![CDATA[Quando si va nel profundo Sud degli Stati Uniti a percorrere i luoghi del blues, non ci si può improvvisare “turisti per caso,” perchè il rischio di perdre pezzi di storia è molto alto. Bisogna allora affidarsi ad “un compagno di viaggio”, meticoloso e dettagliatissimo, come l’ottimo libro/guida “Blues Traveling/The Holy Sites of Delta Blues” [...]]]></description>
			<content:encoded><![CDATA[<p>Quando si va nel profundo Sud degli Stati Uniti a percorrere i luoghi del blues, non ci si può improvvisare “turisti per caso,” perchè il rischio di perdre pezzi di storia è molto alto. Bisogna allora affidarsi ad “un compagno di viaggio”, meticoloso e dettagliatissimo, come l’ottimo libro/guida “Blues Traveling/The Holy Sites of Delta Blues” dello studioso Steve Cheseborough, il quale non si è limitato alla sola attività di autore, indirizzando la sua passione anche come musicista. Dunque da carta e penna, alla chitarra/armonica/percussioni e voce, con i quali, da tre CD compreso questo (I primi due sono stati recensiti nel n. 87 e le due edizioni del libro nei numeri 80 e 89), Steve è come se volesse continuare l’approfondimento della materia riproponendo passi della tradizione afroamericana. Rispetto ai due precedenti CD, dove le versioni di Son House, Charlie Patton, Robert Johnson, Mississippi John Hurt, Tommy Johnson, Bo Carter ecc, mancavano di coinvolgimento emotivo per una esposizione scolastica e un canto dalle tonalità nasali e stridule, in questo suo terzo capitolo, dobbiamo riconoscere la volontà di Steve di aver tentato di dare più espressivitá al canto rendendolo più lento, cosicché anche il suo accento pulito risultasse un po’ più ricco di sfumature. Con la chitarra e l’armonica poi non va al di là del puro accompagnamento, ma no è un difetto, perché in alcuni casi ci mette anche del suo. Gli episodi che risultano menzionabili a nostro avviso sono “Hear Me Talking To You” (di Ma Rainey), “Who Broke The Latch” (di Bo Carter), il sobrio boogie dove si aiuta anche con l’armonica “Shake Your Hips” (di Slim Harpo), la delicata versione di “Vicksburg Blues” (di Little Brother Montgomery”, la ballata, di nuovo con l’armonica e accenno di canto yodel di “Little Ole Wine Drinker Me” (di Jennings/Mills), il traditional “Shortnin’ Bread” con l’uso dello slide e “Last Kind Words” (di Geechie Wiley). Siccome a noi Steve Cheseborough piace, ed è persona sincera e appassionata, vi invitiamo a contattarlo presso il suo sito www.stevecheseborough.com<br />
Silvano Brambilla</p>
<p>When you go to the Deep South of the United States to cover the places of the blues, you can’t be an “accidental tourist,” because there is a great risk of losing pieces of history. You must entrust yourself to a meticulous and extremely detailed “travel companion,” like the optimal guidebook Blues Traveling: the Holy Sites of Delta Blues by the scholar Steve Cheseborough, who has not limited himself to the single activity of author, directing his passion also as a musician.<br />
Therefore from paper and pen, to the harmonica, guitar, percussion and voice, with which, from three CDs including this one (the first two have been reviewed in issue 87 and the two editions of the book in issues 80 and 89), Steve seems to continue the deepening of reclaiming material from the passage of the African-American tradition. Compared with the two preceding CDs, where the versions of Son House, Charlie Patton, Robert Johnson, Mississippi John Hurt, Tommy Johnson, Bo Carter etc. lacked emotional involvement because of an academic presentation and a nasal and shrill vocal tone, in this his third chapter, we recognize Steve’s effort to give more expressiveness to the singing, rendering it slower, so that also his clean accent turned out a little richer in shadings. With the guitar and the harmonica then he does not go beyond pure accompaniment, but that is not a defect, because in some cases he also makes it his own. The tracks that turn out notable in our opinion are “Hear Me Talking To You” (by Ma Rainey), “Who Broke The Latch” (by Bo Carter), the straight-ahead boogie which is helped also by the harmonica “Shake Your Hips” (by Slim Harpo), the delicate version of “Vicksburg Blues” (by Little Brother Montgomery), the ballad, again with the harmonica and a hint of yodel “Little Ole Wine Drinker Me” (by Jennings/Mills), the traditional “Shortnin’ Bread” with the use of slide, and “Last Kind Words” (by Geechie Wiley).<br />
Since we like Steve Cheseborough and he is a sincere and passionate person, we invite to you to contact him through his site, www.stevecheseborough.com<br />
By Silvano Brambilla<br />
Translated from the Italian by Steve Cheseborough</p>
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		<title>Oprah&#8217;s Aunt Katherine loves my book</title>
		<link>http://stevecheseborough.com/2009/06/14/oprahs-aunt-katherine-loves-my-book/</link>
		<comments>http://stevecheseborough.com/2009/06/14/oprahs-aunt-katherine-loves-my-book/#comments</comments>
		<pubDate>Mon, 15 Jun 2009 04:59:38 +0000</pubDate>
		<dc:creator>chezztone</dc:creator>
				<category><![CDATA[book]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[travels]]></category>

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		<description><![CDATA[Oprah Winfrey&#8217;s Aunt Katherine is a huge fan of Blues Traveling, and carries it around with her in her car, I learned recently. Katherine Carr Esters of Kosciusko, Miss., actually is Oprah&#8217;s cousin, although Oprah addresses her older relative as &#8220;Aunt Katherine.&#8221; Ted Ownby, director of the Center for the Study of Southern Culture at [...]]]></description>
			<content:encoded><![CDATA[<p><span style="color: #000000;">Oprah Winfrey&#8217;s Aunt Katherine is a huge fan of<em> Blues Traveling, </em>and carries it around with her in her car, I learned recently.</span></p>
<p><span style="color: #000000;">Katherine Carr Esters of Kosciusko, Miss., actually is Oprah&#8217;s cousin, although Oprah addresses her older relative as &#8220;Aunt Katherine.&#8221; Ted Ownby, director of the Center for the Study of Southern Culture at the University of Mississippi, recently was visiting with Esters and telling her about the center&#8217;s programs. The only ones she was already were familiar with, Ownby said, were a couple of radio shows &#8212; Highway 61 Blues and Thacker Mountain Radio &#8212; and my book, <em>Blues Traveling: the Holy Sites of Delta Blues </em>(which actually is unconnected to the center except that I am a graduate of the center&#8217;s Southern Studies program). Esters told Ownby she carries the book around in her car and refers to it as she drives around Mississippi.</span></p>
<p><span style="color: #000000;">I asked Ownby if Esters has the current edition and he said he wasn&#8217;t sure. So I signed a copy of it for her and gave it to him to give her.</span></p>
<p><span style="color: #000000;">I don&#8217;t know if Esters has shared the book with her cousin Oprah. But if Oprah wants me to take her on a tour of the blues sites of her home state I&#8217;d be delighted!<br />
</span></p>
<p><span style="color: #000000;"><br />
</span></p>
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